ARCO DE VIOLÍN 1/2 AMADEUS AVL12
24,30 €
In Stock
.
Para violín 1/2
Madera de Brasil, nuez de ébano con adorno.
Hembrilla de alpaca.
24,30 € 27,00 €
Para violín 1/2
Madera de Brasil, nuez de ébano con adorno.
Hembrilla de alpaca.
Altura regulable hasta 78 cm
Superficie de apoyo: 48cm x 30cm
Patas plegables
Cierre de goma
Descanso acolchado en goma negra
Funda con un acolchado de 25mm, correas interiores para sujetar el instrumento, bolsillo exterior y bandolera acolchada. Base reforzada
NEGRA
Nivel iniciación.
Tapa de abeto macizo.
Fondo y aros de arce macizo.
Clavijas de ébano, 4 afinaprimas.
Estuche, arco y resina.
Acabado: Envejecido, Satinado.
Violín VS0, 1/8.
CON ESTUCHE,ARCO Y RESINA
Tapa maciza de Abeto.
Cuerpo estrecho. Fondo.
aros y mastil de Caoba.
Diapasón y puente de Palisandro.
Clavijero de engranajes.
Cuerdas Aquila Nylgut.
Acabado Satinado.
Funda de viaje.
PARA HOMBRE, CRUZADO
Para saxofón alto, tenor o barítono.
Arnés tamaño XL
Gancho de mosquetón en plástico
Para saxofón alto, tenor o barítono.
Gancho de mosquetón en plástico.
PARA NIÑO/A , CRUZADO
TODO MACIZO
Tapa: Caoba Macizo.
Contorno y fondo: Caoba Macizo.
Diapasón y puente: Palosanto.
Cuerdas: Premium Aquila Nylgut.
Acabado: Satinado.
Ukelele soprano ideal para niños.
Tapa, aros y fondo de nato.
Diapason y puente: Blackwood.
Clavijeros de engranajes.
Funda de nylon «Ma Kai» incluida
Negro
Cable de instrumento . Conectores jack – jack. Cable de PVC flexible color negro, diámetro 7mm. Longitud 3m.
Color negro
Trombón de pistones SI bemol.
Campana de 205 mm.
Tudel: 11,50 mm.
Lacado.
Con estuche.
Nivel medio.
Tapa de abeto macizo.
Fondo y aros de arce macizo.
Diapasón y clavijas de ébano.
Con 4 afinaprimas,
Estuche, arco y resina.
Acabado: Envejecido, Satinado.
TAPA MACIZA DE CEDRO
AROS Y FONDO DE SAPELLI
DIAPASÓN DE PALOSANTO DE INDIA
MANGO DE SAMANGUILLA
CLAVIJEROS NIQUELADOS
ACABADO EN OPEN PORE
FUNDA INCLUIDA ALHAMBRA 9531
The Crumar Seven is not just another digital piano, it’s a whole new thing with an old look. As you can see, it is built into a wooden carrying case and has a shape that is reminiscent of some of the most famous electric pianos of the early seventies. This kind of design was almost obligatory back in the day, it was practical for both the user to transport and for the manufacturer to assemble, and was necessary to hold a very heavy structure made of several big moving mechanical parts. At some point, when digital electronics took over on old mechanical and analog keyboards, the concept of portable piano has gradually changed making the instruments smaller and lighter, up to the point that some of the modern digital pianos are small enough to be carried in a bag. But do they look good on a stage? Do they feel classy, solid, comfortable like an old electric piano did? And what about the sound? Almost all digital pianos offer just basic piano sounds based primarily on sampled material, and all of them aim to replace a grand piano, leaving behind the sounds of famous electric pianos, treating them as just an extra with less importance.
But now there’s the Crumar Seven. The latest technology in sound generation under the form and the look that all keyboard players love. Crumar Seven’s main focus is the electric piano, the most important electric piano sounds that have made the history of the music of the past decades. All sounds are based on real-time synthesis models, various types of synthesis specifically engineered to thoroughly reproduce a particular type of sound. And naturally there’s a physical model of a grand piano, too, for a total of nine different synthesis engines.
Portable, elegant, lightweight, one of the most revolutionary stage pianos of the modern day, complete with carrying case, metal legs and accessories, the Crumar Seven works like a digital instrument but feels like an analog, electro-acoustic instrument and redefines the concept of the Stage Piano.
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Subtotal: 3.114,60 € (incl. impuestos)
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