139,50 € 155,00 €
13″ – 14″
CROMADAS
CON SOPORTE
The Crumar Seven is not just another digital piano, it’s a whole new thing with an old look. As you can see, it is built into a wooden carrying case and has a shape that is reminiscent of some of the most famous electric pianos of the early seventies. This kind of design was almost obligatory back in the day, it was practical for both the user to transport and for the manufacturer to assemble, and was necessary to hold a very heavy structure made of several big moving mechanical parts. At some point, when digital electronics took over on old mechanical and analog keyboards, the concept of portable piano has gradually changed making the instruments smaller and lighter, up to the point that some of the modern digital pianos are small enough to be carried in a bag. But do they look good on a stage? Do they feel classy, solid, comfortable like an old electric piano did? And what about the sound? Almost all digital pianos offer just basic piano sounds based primarily on sampled material, and all of them aim to replace a grand piano, leaving behind the sounds of famous electric pianos, treating them as just an extra with less importance.
But now there’s the Crumar Seven. The latest technology in sound generation under the form and the look that all keyboard players love. Crumar Seven’s main focus is the electric piano, the most important electric piano sounds that have made the history of the music of the past decades. All sounds are based on real-time synthesis models, various types of synthesis specifically engineered to thoroughly reproduce a particular type of sound. And naturally there’s a physical model of a grand piano, too, for a total of nine different synthesis engines.
Portable, elegant, lightweight, one of the most revolutionary stage pianos of the modern day, complete with carrying case, metal legs and accessories, the Crumar Seven works like a digital instrument but feels like an analog, electro-acoustic instrument and redefines the concept of the Stage Piano.
Splash 8″ (20,32 cm)
Aleación: B8 Bronce
Acabado: Regular
Sonido: Respuesta rápida y explosiva con sustain corto
Producción: a máquina
Nivel Iniciación.
Tapa de abeto macizo.
Fondo y aros de arce macizo.
Clavijas de ébano, 4 afinaprimas.
Estuche, arco y resina.
Acabado: Envejecido, Satinado.
CON ESTUCHE, ARCO Y RESINA
ESTUDIO SUPERIOR.
Violin, completo con arco y estuche.
Todo macizo.
Fondo de arce flameado.
Diapasón, clavijas, apoyabarbas y perfiles de ebano.
4 afinaprimas.
Versión aguda
Combinación de shaker y cencerros
Puede tocarse en conjunto o individualmente
ALUMINIO RECTA
LA SORDINA FAVORITA DEL MUNDO! ESTA ES TAL VEZ LA SORDINA MAS COPIADA DEL MUNDO Y DE MAYOR EXITO.
LIGERA Y EXTREMADAMENTE RESONANTE. EL CORCHO AUTENTICO UTILIZADO PROPORCIONA UN AJUSTE PERFECTO EN LA CAMPANA DEL INSTRUMENTO.
Tapa Maciza de Abeto.
Aro y fondo de Caoba.
Ribetes en tapa y fondo de ABS.
Electrificada con Cutaway.
Ecualizador: H3T.
Acabado Rojo brillo.
Con cutaway.
Tapa de Cedro macizo.
Cuerpo: Sapeli.
Ribete oscuro en cantos y fondo.
Brazo: Caoba africano.
Diapasón: Palosanto.
Puente: Palosanto.
Clavijero: Niquelado.
Pre-Amp: Fishman Classic III.
Cuerpo: DM de calidad superior
Tapa: Mukaly
Dos bordones en V con tensores afinadores individuales
Alto: 480mm
Ancho: 290mm
Fondo:300mm
Peso: 3,4Kgs
Acabado: Negro
Para violín de 4/4.
Higrómetro.
Ligero.
Acabado en negro.
MI
Diseño ergonómico.
Lengüetas fabricadas con Láser.
Sonido Profesional.
Estuche de alta resistencia.
Boquilla de ebonita para Saxo Alto
Es más abierta que la Selmer S-80 C*
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Subtotal: 4.701,50 € (incl. impuestos)
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