PIANO DIGITAL ARTESIA DP3 BLANCO

88 Teclas compensadas con respuesta al tacto.

Pantalla LCD multifunción.

Polifonia 64 notas

Voces 137

Ritmos 100 estilos

Efectos DSP: 8 reverbs y 13 chorus

Controles: volumen master, volumen micro, demo, reverb, chorus y metrónomo

EQ: bass y treble.

Audio In mediante cable USB.

Entrada de micro con control de volumen.

Pedal sustain sostenuto o soft seleccionable.

Negro.

88 Teclas HAMMER con respuesta al tacto

Polifonía: 64 notas

Voces: 16

Demo: 16 canciones

6 niveles de Touch

Efectos: reverb, chorus, bass EQ, Treble EQ

Controles: volumen master, demo, reverb, chorus y metrónomo

Control de voces: layer, layer level, sensibilidad, afinación, transposición

Conexiones: USB to Host, line out, auriculares y Power DC12V

Potencia: 2 x 15 W

3 Pedales

– Nuevo motor de sonido de piano con 12 sonidos cuidadosamente seleccionados

– Teclado que reproduce el toque de un piano acústico

– Versátiles entradas y salidas para más posibilidades de conectividad, con USB MIDI y USB AUDIO

– Completo paquete de software

– Comodidad y funcionalidad con la sencillez de un piano real

– Múltiple configuración de teclado

Color negro.

88 Teclas HAMMER con respuesta al tacto.

Pantalla: LCD multifunción.

Polifonía: 128 notas. Voces: 137.

Demo: 10 canciones y 376 lecciones.

Ritmos: 100 estilos.

Efectos DSP: 8 reverbs y 13 chorus.

Función de lección.

Grabación: 2 Pistas.

Control de voces: layer, split, duet, 6 niveles de sensibilidad, afinación, transposición.

EQ: bass y treble.

Audio In mediante cable USB.

Conexiones: USB to Host, pedal, aux In, line Out, Midi Out, auriculares y Power DC12V.

Pedales: 3.

Medidas: 127 x 27 x 18 cm. Peso: 8,6 kgs.

Compatible con Mac OS y Windows.

The Crumar Seven is not just another digital piano, it’s a whole new thing with an old look. As you can see, it is built into a wooden carrying case and has a shape that is reminiscent of some of the most famous electric pianos of the early seventies. This kind of design was almost obligatory back in the day, it was practical for both the user to transport and for the manufacturer to assemble, and was necessary to hold a very heavy structure made of several big moving mechanical parts. At some point, when digital electronics took over on old mechanical and analog keyboards, the concept of portable piano has gradually changed making the instruments smaller and lighter, up to the point that some of the modern digital pianos are small enough to be carried in a bag. But do they look good on a stage? Do they feel classy, solid, comfortable like an old electric piano did? And what about the sound? Almost all digital pianos offer just basic piano sounds based primarily on sampled material, and all of them aim to replace a grand piano, leaving behind the sounds of famous electric pianos, treating them as just an extra with less importance.

But now there’s the Crumar Seven. The latest technology in sound generation under the form and the look that all keyboard players love. Crumar Seven’s main focus is the electric piano, the most important electric piano sounds that have made the history of the music of the past decades. All sounds are based on real-time synthesis models, various types of synthesis specifically engineered to thoroughly reproduce a particular type of sound. And naturally there’s a physical model of a grand piano, too, for a total of nine different synthesis engines.

Portable, elegant, lightweight, one of the most revolutionary stage pianos of the modern day, complete with carrying case, metal legs and accessories, the Crumar Seven works like a digital instrument but feels like an analog, electro-acoustic instrument and redefines the concept of the Stage Piano.